By Ytasha L. Womack
Comprising components of the avant-garde, technological know-how fiction, state of the art hip-hop, black comix, and image novels, Afrofuturism spans either underground and mainstream popular culture. With a twofold goal to entertain and enlighten, Afrofuturists attempt to collapse racial, ethnic, and all social boundaries to empower and loose contributors to be themselves. This e-book introduces readers to the burgeoning artists developing Afrofuturist works, the heritage of innovators long ago, and the wide variety of matters they discover. From the sci-fi literature of Samuel Delany, Octavia Butler, and NK Jemisin to the musical cosmos of solar Ra, George Clinton, and the Black Eyed Peas' will.i.am, to the visible and multimedia artists encouraged by way of African Dogon myths and Egyptian deities, issues diversity from the "alien" event of blacks in the US to the "wake up" cry that peppers sci-fi literature, sermons, and activism. Interviews with rappers, composers, musicians, singers, authors, comedian illustrators, painters, and DJs, in addition to Afrofuturist professors, supply a firsthand examine this attention-grabbing circulation.
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Extra resources for Afrofuturism: The World of Black Sci-Fi and Fantasy Culture
In the process of depathologizing barebacking, I argue nonetheless that the subculture cannot be understood in purely rationalist terms—that, in other words, one still needs an account of the unconscious to explain what’s at stake. Previous attempts to depathologize barebacking have framed the issue in terms of rational risk assessment, claiming that protease inhibitors usher in “altered realities” that alter gay men’s sexual decision making. In my view, such arguments too readily overlook those nonrational motives that lead men to act against what may be regarded as their own best interests.
Most gay men, even the buﬀest and most handsome, worry that they are not buﬀ or handsome enough. By deﬁnition, the politics of identiﬁcation cannot be anything but a politics of ideals. 38 36. On identiﬁcation and cloning, see Adam Phillips, “Sameness Is All,” in Promises, Promises: Essays on Literature and Psychoanalysis (London: Faber, 2000), 334–41. 37. Étienne Balibar develops this point in a very interesting essay in which he argues that all ideals, including that of nonviolence, entail violence and, indeed, superegoistic cruelty.
In addition, the capacity for erotic experience to dissolve, as well as to enhance, one’s sense of self means that sex readily breeds uncertainty about one’s standing relative to it. Tolerance for other sexualities depends on not having to contemplate the gory details of what other people like to do with their bodies. It is not simply a case of preferring not to participate in certain kinds of sexual activity but also of preferring not to even have to think about them—as if to think too hard about certain sexual acts were virtually tantamount to doing them.
Afrofuturism: The World of Black Sci-Fi and Fantasy Culture by Ytasha L. Womack