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By Digital Illustration and Art Techniques Covering Photoshop CS3 Derek Lea

ISBN-10: 0240520467

ISBN-13: 9780240520469

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Perhaps the original photograph was a little overexposed. To remedy this, drag the background layer onto the create a new layer button at the bottom of the layers palette to duplicate it. Target the duplicate layer and change the blending mode of the layer to linear burn. Reduce the opacity of the layer to 67% so that the burn effect isn’t overpowering. 2 I In order to make the painting stand out even more, let’s reduce the amount of color in this already very neutral feeling background. Click on the create new fill or adjustment layer button at the bottom of the layers palette to access the pop-up menu of adjustment and fill layer options.

Then, hold down the shift key and click on the other wrinkle shape components at the left to select them as well. While holding down the alt(PC)/option(Mac) key, click on the selected shape components and drag them to the other side of the face, copying them. 14 I Now, to flip your duplicated wrinkles over, choose EditϾTransform PathϾFlip Horizontal from the menu, so that they look like they belong on the right side of the face. Reposition them if necessary with the Path selection tool. Your top layer is currently targeted in the layers palette.

When you’re finished, target all of the shape layers that make up the octopus in the layers palette and add them to a new group. 22 I Now, just because your finished creatures are neatly organized into groups in the layers palette, it doesn’t mean that you can’t add more shape layers within a group or edit existing ones. Here, new shape layers were added to the octopus group as well as the alien group. Spots were added to the tentacles of the octopus on a new shape layer, and spots were added to the alien’s forehead using the same method.

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Creative Photoshop by Digital Illustration and Art Techniques Covering Photoshop CS3 Derek Lea

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